Wilco and Picture Box, Inc. The Wilco Book. 2004 (New York)

A collaborative picture book about music.

The Wilco Book features dozens of never-before-seen photographs of the
band by Michael Schmelling, plus essays, reflections, drawings and
photographs by members of Wilco about their music, their instruments
and the varied sources from which they draw their inspiration. Also included
are essays by authors Henry Miller and Rick Moody, paintings by Fred
Tomaselli, visual images by Bern Porter, and a compact disc of unreleased
music.

The 40-minute CD included in the book contains songs and music collected during the recording
sessions of A Ghost Is Born. This never-before-released material is only
available with the book.

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The Wilco Book - Wikipedia, the free encyclopedia

1. for Joy by Phish. It comes as no surprise that one of the kings of contemporary psychedelic art would team up with the legendary jam band on this 2009 release. Tomaselli’s work has also been used as cover art for both the Magnetic Fields and Laura Cantrell, and was included in The Wilco Book, made by the indie-rock band Wilco.

Wilco Book
The Wilco Book; Overspray: Riding High with the Kings of California Airbrush Art; For the Love of Vinyl: The Album Art of Hipgnosis

Wilco Books Books Online Store in India

Author, Art Out of Time: Unknown Comic Visionaries, 1900–1969. Editor, Gary Panter, We All Die Alone; Art in Time: Unknown Comic Book Adventures, 1940-1980. Co-author, Electrical Banana: Masters of Psychedelic Art; Cheap Laffs: The Art of the Novelty Item. Co-editor, The Comics Journal, Where Demented Wented: The Art and Comics of Rory Hayes; The Wilco Book. Co-creator: The Ganzfeld

from The Wilco Book

Wilco - The Wilco Book (CD) at Discogs

Michael Schmelling is the author of four photo books, Shut Up Truth (J+L Books, 2002), The Week Of No Computer (TV Books, 2008), The Plan(J+L Books, 2009), and Atlanta: Hip Hop And The South (Chronicle, 2010). Schmelling was also the principal photographer of The Wilco Book(Picturebox, 2004). He lives and works in New York City. Some of Michael Schmelling clients include Details Magazine, The Fader, New York Magazine, Wired, The New York Times, Penguin Books, Converse and Sony.
Brian Paul Clamp is the owner and director of ClampArt, a gallery in Chelsea in New York City specializing in modern and contemporary art with an emphasis on photography. ClampArt mounts ten to fifteen exhibitions per year featuring the work of emerging and mid-career artists. Mr. Clamp opened the gallery in 2000 after completing a Master of Arts degree in Critical Studies in Modern Art at Columbia University. For eight years prior to that Mr. Clamp served as the director of a gallery on Manhattan’s Upper East Side specializing in late 19th- and early 20th-century American paintings. Aside from exhibitions at his own gallery space, Clamp has curated numerous photography shows at various venues throughout the United States. Mr. Clamp is the author of numerous publications on American art to date, and also occasionally contributes written work to various art periodicals.

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Peter Buchanan-Smith is a New York–based designer, author, and entrepreneur whose career has included designing book jackets for Farrar, Strauss, and Giroux; art direction of the New York Times Op-Ed page; creative direction for Paper magazine; and work for fashion icon Isaac Mizrahi, musical legends David Byrne, Brian Eno, Philip Glass, and the band Wilco. He is the author of several books, including The Wilco Book, and he has collaborated on many others, including Strunk and White’s classic The Elements of Style with illustrator Maira Kalman, and Muhammad Ali by Magnum Photographers. His first tome, Speck: A Curious Collection of Uncommon Things—which originated as a thesis project at the School of Visual Arts, where he also teaches—explores the fascinating lives of ordinary people and commonplace objects. This connection between people and objects is also at the heart of Buchanan-Smith’s latest venture, Best Made Co., a purveyor of bespoke axes that offers not only a finely crafted tool but an entrée into the symbolic world conjured by the object and summoned by its owner (adventure, hard work, balance, and so on). Part of Insights 2010 Design Lecture Series.